Sounds

Feel the Sky

May – June 2020

Feel the Sky is a duo of sound works in conversation produced by Jaye Kranz (Australia) and Myra Al-Rahim (USA). Both extend from the same starting point – a recording from 1992 made by a news reporter unfamiliar with field recording, but entranced by a chance encounter with trumpeter swans on an icy lake.

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Are We There Yet?

““Are We There Yet?”  is a strange, recurring road-trip towards home. A home we can never really find or retrieve; while at the same time, being a home we have already found: the one that is already ours.”

Jaye Kranz

May 29, 2020

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The Burdened Land

“I wanted the work to have a distinct feeling of space and scale. I sought to explore the thematic interconnectedness between the migratory paths of birds and the sprawling supply chains of capital.”

Bassel Al-Rahim

May 29, 2020

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2020 Season

2020 was Constellations’ most ambitious season to date, and featured work from over twenty artists, mostly made for our podcast feed. The predominant new element of this season was gathering multiple works together in single episodes. In episodes like Missed Connections and Inner Geographies, and Extraction, the pieces trip over each other, harmonize, and build upon each other, either or both thematically and structurally.

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Archive

“To re-encounter an archive changes it; we bring our present judgements, preconceptions, understandings, contexts to this artifact from the past, and therefore instantly shift its meaning.”

Erica Huang, Jenn Stanley

October 9, 2020

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Semiotic Shift

“Language is inextricably linked to land. In this episode, we explore how the shifts in the landscape have impacted language across generations and cultures.”

John Hill, Bartosz Panek

November 3, 2020

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Lonely Artefacts

“How to document these often fragile nodes of community interaction and herstory as a matter of public record?”

Sisters Akousmatica

July 10, 2020

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Listen to more sounds from the 2020 podcast season here →

Resonant Bodies

August – December 2020

Resonant Bodies is an online exhibition about the sonic reflections between bodies and their environments, and an extension of a physical exhibition which took place at the Toronto Media Arts Centre from August 11-17th, 2019. The online exhibition consists of 6 new Constellations episodes, featuring new works by participating artists Aliya Pabani, Chandra Melting Tallow, Cheldon Paterson, Kaija Siirala, Jon Tjhia, and Phoebe Wang.

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Singing on the Line

Aliya Pabani

August 9, 2019

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Thing-Like

Jon Tjhia

August 9, 2019

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Hamina, Finland

Kaija Siirala

August 9, 2019

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Transport Station

Cheldon Paterson

August 9, 2019

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Protect Me From My Protector

Chandra Melting Tallow

August 9, 2019

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Isn't it lovely?

Phoebe Wang

August 9, 2019

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2019 Season

By 2019, Constellations had established itself in a weird little corner of the audio world, leading to more artists and producers making original works for us. Our third season is comprised primarily of new works made especially for Constellations. Working alongside these artists in a curatorial capacity, we continued to craft our in-between space: not quite narrative audio, not quite sound art, but solidly somewhere that people wanted to be with us.

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The Space Between Stories

“I'm reading about the idea that personal traumas and feelings of disconnectedness might well be very much tied to the dominant civilization’s wider sense of separateness from, and superiority over, nature.”

Phil Smith

February 20, 2019

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EMDR

“Whenever I was alone, I always heard this internal monologue that was trying to take over.”

James T. Green

April 24, 2019

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Despojo (Dispossession)

“DESPOJO is a sound work which only uses sounds from an old vinyl record — clips and claps. I cut the big sound loop into fragments, creating small samples.”

Franco Falistoco Araya

February 15, 2019

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Listen to more sounds from the 2019 podcast season here →

2018 Season

Our second year of Constellations contains some of our most inspired original pieces, alongside an excellent back catalogue of established sound artists’ works. We started reaching out to artists around the world to gain insights into sound and audio works outside of North America, and to cultivate a community of artists listening to each other across borders and sonic traditions.

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Mi Vida

“I decided to create a work using car sounds to protest the abuse of the automobile in Mexican cities, and as a criticism of its status as a cult object. ”

Israel Martínez

November 9, 2018

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Refuse: military.01

“What alternatives to forced conscription are presented to these children? Schools which allow access to the Israeli military propaganda merchants, rarely, if ever, allow alternative voices to reach the children. ”

Meira Asher

June 1, 2018

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Walking in Bad Circles

“I was collecting the audible traces of the desert, paying attention to experiences along this border that is so keenly present and easily ignored.”

Joan Schuman

January 12, 2018

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Listen to more sounds from the 2018 podcast season here →

2017 Season

Constellations began as a small collaboration between us, Michelle Macklem and Jess Shane,  in the first half of 2017. We were working at a public broadcaster at the time, surrounded by tight deadlines and fast paced workflows. There was intense pressure to keep up with podcasting and radio culture in our industry, and even though we loved working with sound, we were left wondering, were we really listening?

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Anatomy of the Road

“I was wondering if there was a way to spatially re-create the sounds of being in a car... and whether I could capture that mood and weirdness and giddiness and intensity that comes from being in such a small space with another person.”

Ellie Gordon-Moershel

November 3, 2017

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06-32-24

“The best way is always to stop when you are going good and when you know what will happen next.”

Craig Desson

December 15, 2017

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No Event

“No Event is a plastic moment in a waiting room.”

Miyuki Jokiranta

October 6, 2017

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Listen to more sounds from the 2017 podcast season here →

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